Oedipus King, Theatro Technis 18 January

**

oedipusking

Overexposed picture I acquired from Twitter

They are certainly very nice people at Theatro Technis, and go out of their way to make you feel part of the family.  At the end of the production, director George Eugeniou made an affecting appearance to thank the audience and to point out the contemporary relevance of the play.  His idea was that Sophocles had reflected in Oedipus the character of his friend Pericles, who had done much good for Athens but also lead it down the road of empire.  And now our world was beset by charismatic, dishonest leaders like Trump, Erdogan and Boris Johnson.

As for the production itself, there was some effective direction in for instance the reaction of individual chorus members to the news of Jocasta’s death, and the creation of striking stage pictures, as in the stolen and overexposed picture above.

BUT it was very difficult to make out what any of the actors were saying, even the native speakers of Standard English, so anyone who did not already know the piece would have been baffled.  ALSO the curse of naturalistic acting, when what was needed to stand and deliver (clearly!) ALSO the chorus neither danced nor sang.  ALSO there should have been some indication that Oedipus and Jocasta are King and Queen and so set apart.  ALSO the translation by Don Taylor depressingly combined inexactness with the bureaucratic-colloquial register.  ALSO the family feeling included audience members recording proceedings on their mobile phones, which distracted me at least.

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